Traveling Matt
Supporting Actor
- Joined
- Sep 1, 2006
- Messages
- 931
It sounds like the situation needs to change.
So the Road Runner cartoons on disc 2 of volume 2 of the golden collection were mastered in HD?ThadK said:There are repeats because that's stock ready to go and there is no real money for the restorations any longer. Except for the post-'48 cartoons on the first Golden Collection and the Tweety and Road Runner cartoons on Vol. 2, all of the WB cartoons on those sets were remastered in HD.
So as a result, there's only about 9 or 10 cartoons per Blu-Ray set that weren't on the DVD sets. Having the cartoons they already have in HD isn't enticing enough for a lot of the long-time collectors, so it's a lose-lose situation.
You completely misread what I wrote. It's the exact opposite.Adam_S said:So the Road Runner cartoons on disc 2 of volume 2 of the golden collection were mastered in HD?
And the cartoons post 1948 on all of Volume 1 of the golden collection were mastered in HD?
But none of the other cartoons on any of the six volumes were mastered in HD? How were they mastered? New telecines to Digibeta? Or were new telecines not used at all?
I can't answer all your other questions - but I rate McKimson very highly, especially his 40s work. I would put him ahead of Freleng, but behind Jones (and for Jones, I'm only considering his 40s and early 50s work). But above them all, I'd put Bob Clampett - maybe that's sacrilegious, and he had a relatively short stint at Warners - but he took the Looney Tunes in a whole different direction.Adam_S said:Is it weird that I thought McKimson might be the third best LT director behind #1 Freleng and #2 Jones?
Regular people have soundly proven that the Looney Tunes don't sell as general consumer retail releases anymore (at least not in any sustainable sense). Of what benefit do you think it would be for Warner to release the entire library - about 1,000 cartoons - in small doses for them now? How would managing such a massive library as a sell-through series provide any real direction for either party? How would restoration factor into such an effort?bigshot said:The difference in image quality between the DVDs and the blu-rays is massive on a good system with a large screen. But if Warner wants to sell cartoons, they need to learn who their audience is... regular people. Regular people want a wide variety of cartoons at a very low sell through price. They don't want to pay extra for fancy packaging, multi-disk sets or lots of supplements. If Warner rotated the entire library through limited release low price collections aimed at the sell through market, they could keep selling cartoons till the cows come home. If they cater to the cartoon nerds who check names off a list, they will sell fewer and fewer with every release.
When you sell them in three disk sets for $35 and up, yes. If they cycled the library through single disk collections priced from $7.99 to $9.99 suggested retail, they would sell a lot of them. All they need to do is to order one pressing run of each title and then move on to a new collection with a new batch of cartoons. Both collectors and regular people would buy them. Now only collectors are interested, and that market is minuscule compared to the average mom at Target or Walmart crowd.Traveling Matt said:Regular people have soundly proven that the Looney Tunes don't sell as general consumer retail releases anymore (at least not in any sustainable sense).
Yes, but the Looney Tunes aren't really selling at all in retail. That's just the problem. Even a minimal effort takes time, energy and money - three things WHV doesn't seem interested in dealing with. And to what end? To maybe (only maybe) see the catalog released bit by bit with questionable nomenclature and no restoration?bigshot said:Taking transfers that they are already doing and just slapping them on low cost disks isn't much of an investment. It certainly would be an easier sell than a box set with tons of restoration work and supplements and a high price tag to support all that.
Good luck getting Warners to license out the Looney Tunes to an outside company. Good luck finding a company who wants to license them to do huge collections that are sold through by mail on a subscription basis.