Todd_Petersen
Stunt Coordinator
- Joined
- Oct 4, 2002
- Messages
- 170
Could we possibly add the B&K AVR507 THX ultra 2?
Yamaha stated the RX-V1300, 2300, & 3300 as Matrix 6.1 on their comparison chart because the decoding is the same as was with the previous generations... Previously, the receivers were not allowed to license the EX name because of issues involving THX. Thanks THX!! That said, the decoding is the same except now Yamaha was able to license the DD EX name. The same can be said of Denon and other brands... THX must had really put a hold on the market as no manufacture can come out and say that there's no difference in decoding, just in licensing the name of such decoding... Several manufactures called the decoding EX but had to change it later because THX didn't want them using the EX name.Dolby Laboratories and THX co-developed Dolby Digital EX in 1999. THX was the exclusive licensor for the technology until late 2001, so any machine with "Dolby Digital EX" decoding was identified with a "THX Surround EX" logo. Now Dolby licenses the technology, so machines have a "Dolby Digital EX" logo.
Dolby Digital EX uses a "matrix" channel decoding method for the rear center surrounds, so it is not a true 6.1 channel surround format. The rear center surround information is derived from the right and left rear surrounds by extracting signals that are common to the right and left rear surrounds. DTS ES Discete, on the other hand, is the only true 6.1 channel format. Some DVDs with an "official" Dolby Digital EX soundtrack have had rear center surround information deliberately matrix-encoded into the right and left rear surrounds, along with "EX" flags indicating the presence of rear center surround information.
Other manufacturers can create their own generic signal processing algorithms to extract a rear center surround using a "matrix" approach similar to THX/Dolby's, which is why you might see a "6.1 mode" on a receiver without Dolby Digital EX or THX Surround EX certification. Some even try to extend the power and performance of Dolby Digital EX decoding with their own proprietary algorithms.
Most use the same decoding, with only the name being the difference. I think Sony ES was the maker that did EX decoding in-house, with their own algorithms.I am referring to decoding schemes such as Sony Cinema EX, Cirrus Extra Surround, Logic 7, and so on. I believe that these are not exactly the same as Dolby Digital EX, but rather modified schemes that hope to offer their own proprietary enhancements.
PS
I just clarified some of my earlier language and terminology a bit.
In the interest of free enterprise and fair competition, ...I could add the Integra stuff as it's in the S&V. But Rotel ... (crap. I have to go clean my office to find the magazine again.)