Ken_F
Stunt Coordinator
- Joined
- Nov 13, 1998
- Messages
- 136
It 'depends.'
Early Blu-ray titles will be using MPEG-2, as Sony's current tools evidently lack support for H.264 and VC1; in contrast, early HD-DVD titles will use H.264 and VC1, as per studio announcements. It's well-known that dual-layer BD production is not yet mature, and that ~90% of Blu-ray titles announced for 2006 will be on single-layer 25Gb disks (Sony has announced a few limited quantity DL titles for release toward year's end as a technology demo).
At this point, three unknowns will determine the relative PQ we see from both formats in the near term:
Early Blu-ray titles will use MPEG-2, given the limited encoding and authoring tools available for that platform. Quality on SL HD-DVD titles in VC1/H.264 should be comparable to SL Blu-ray titles in MPEG-2. Quality on DL HD-DVD titles with VC1/H.264 should be higher than early Blu-ray disks with MPEG-2. However, it's not clear what percentage of the early HD-DVD titles will be dual-layer, and even if a high percentage are (which I doubt), the PQ advantage will be temporary.
Once studios are able to use VC1/H.264 with Blu-ray, that will negate most of the PQ advantage held by DL HD-DVD. And once DL BD becomes commercially viable, be it in 2007, 2008, or 2009, the advantage moves back to Blu-ray, particularly for full-season episodic releases (Sopranos, 24, etc).
Getting back to your question -- will you perceive these differences on your display? I would be surprised if you perceive any differences in detail or resolution for a given title in both formats. If you see any differences at all, it will be with artifacting, because a studio 1) tried to fit a longer film on a single-layer HD-DVD when they should have used a dual-layer disk, or 2) tried to fit a longer film or episodic programming on a Blu-ray disk with MPEG-2, rather than waiting until Sony's (or Sonic's) tools supported H.264/VC9.
Early Blu-ray titles will be using MPEG-2, as Sony's current tools evidently lack support for H.264 and VC1; in contrast, early HD-DVD titles will use H.264 and VC1, as per studio announcements. It's well-known that dual-layer BD production is not yet mature, and that ~90% of Blu-ray titles announced for 2006 will be on single-layer 25Gb disks (Sony has announced a few limited quantity DL titles for release toward year's end as a technology demo).
At this point, three unknowns will determine the relative PQ we see from both formats in the near term:
- How soon will Sony's authoring tools provide support for H.264 and VC1? Or how soon before alternative solutions be available (like Sonic) that offer this support?
- Will most HD-DVD titles use single or dual-layer?
- When will dual-layer Blu-ray become cost effective for studios to mass produce? Will it be late 2006, 2007, 2008, or 2009?
Early Blu-ray titles will use MPEG-2, given the limited encoding and authoring tools available for that platform. Quality on SL HD-DVD titles in VC1/H.264 should be comparable to SL Blu-ray titles in MPEG-2. Quality on DL HD-DVD titles with VC1/H.264 should be higher than early Blu-ray disks with MPEG-2. However, it's not clear what percentage of the early HD-DVD titles will be dual-layer, and even if a high percentage are (which I doubt), the PQ advantage will be temporary.
Once studios are able to use VC1/H.264 with Blu-ray, that will negate most of the PQ advantage held by DL HD-DVD. And once DL BD becomes commercially viable, be it in 2007, 2008, or 2009, the advantage moves back to Blu-ray, particularly for full-season episodic releases (Sopranos, 24, etc).
Getting back to your question -- will you perceive these differences on your display? I would be surprised if you perceive any differences in detail or resolution for a given title in both formats. If you see any differences at all, it will be with artifacting, because a studio 1) tried to fit a longer film on a single-layer HD-DVD when they should have used a dual-layer disk, or 2) tried to fit a longer film or episodic programming on a Blu-ray disk with MPEG-2, rather than waiting until Sony's (or Sonic's) tools supported H.264/VC9.