- Joined
- May 9, 2002
- Messages
- 13,058
- Real Name
- Cameron Yee
Ronin
Release Date: February 24, 2009
Studio: MGM Home Entertainment
Packaging/Materials: Single-disc Blu-Ray case
Year: 1998
Rating: R
Running Time: 2h01m
MSRP: $34.95
MAIN FEATURE | SPECIAL FEATURES | |
Video | 1080p high definition 16x9 2.35:1 | 1080p high definition |
Audio | DTS-HD Master Audio: English 5.1 / Dolby Digital: French 5.1, Spanish 2.1 | Dolby Digital: English 5.1, Stereo |
Subtitles | English , Spanish, Cantonese, Korean | None |
Note: Portions of this review include material from my HTF review of the 2006 DVD release, the entirety of which can be read here.
The Feature: 4/5
In feudal Japan ronin, samurais without masters, had two choices - operate as mercenaries but live as pariahs, or reclaim their honor through self-administered, ritual disemboweling. Oh how things have changed. And that's a good thing too, otherwise we'd never have a movie like John Frankenheimer's "Ronin" – one of the most exciting entries in the action-thriller genre, filled with merciless gun battles, white knuckle car chases, and the requisite betrayals and divided loyalties. Mercenaries have clearly moved up the social ladder to get this kind of tribute.
When ex-CIA agent Sam (Robert DeNiro) meets up with other shady characters in a Montmartre watering hole, he wastes no time determining who can be trusted. Over the course of the film that proves to be just one person, Frenchman Vincent (Jean Reno), the "tour guide" for a job that will take the assembled crew across much of France. Rounding out the mercenary team are a brash weapons expert (Sean Bean), a disquieting, ex-KGB technology man (Stellan Skarsgard), and a likable vehicle expert (Skipp Sudduth). Their bosses (Natasha McElhone and Jonathan Pryce) bear an unmistakable Irish lilt, which in a movie like this means nothing but IRA. The job they've hired out for is clearly important to them, but also a classic McGuffin - stealing a silver case, the contents of which are never revealed and the intentions of those competing for it never explained.
Over a few days the case changes hands several times. The team's initial attempt to steal it is probably the most well-rounded of action scenes, featuring healthy doses of gunfire, explosions and nailbiting car chases through the countryside and too-narrow streets of Nice. Other exemplary set pieces include a foot pursuit and gun fight in a Roman coliseum and an incredibly tense car chase through Paris roads and expressways. The film is interesting in that it pulls no punches when showing the loss of innocent lives that one would expect from such chaos, but at the same time it effectively ignores the realistic ramifications of such widescale mayhem, like intervention by the French military or NATO?
By the film's conclusion viewers may be a little fuzzy on all the plot details, but anyone who gets hung up on the issue has clearly missed the point. That being old school, espionage-flavored action – lots of it – executed with Frankenheimer's confident, veteran hand and using real cars, drivers and pyrotechnics. Giving a little character to all the flash are some quiet, dialogue-rich scenes bearing David Mamet's unmistakable rhythm and flow (he's credited as Richard Weisz in this case).
In the end it always feels a little funny to describe a movie with so much violence and mayhem as exciting or fun, but mercenary status isn't the only thing that has changed since the days of feudal Japan. For anyone who has no problems with the modern glorification of violence, and a particularly stylish and well done example of it, "Ronin" is a "must see."
Video Quality: 2.5/5
"Ronin" on Blu-Ray has a hard, digitally manipulated look that feels several generations removed from its film origins. Framed at 2.35:1 and presented in 1080p with the MPEG-2 codec, the image exhibits visible patches of compression noise and an obvious processing that robs both wide shots and close-ups of detail and sharpness. As an example, look at the several scenic flyovers, which should have a breathtaking clarity and depth. Instead we get a smudgy, indistinct tableau of city streets and buildings. Close-ups, like during the bullet removal scene, are a little better, but there's such an edgy, unnatural quality to skin textures that it can be a little hard to look at. Contrast can also be rather flat and dull, a byproduct of the film's intentionally muted color palette, I'm sure, but without that knowledge it would be easy to suspect the transfer of robbing the film of its color as well. Add to that some occasional edge haloing and spots of dirt and debris, and you have a disappointing transfer for a film that deserves much better.
Audio Quality: 4/5
The DTS-HD Master Audio track exhibits considerable surround activity with whizzing cars and echoing expressway tunnels, along with deep, if a bit indistinct, LFE with the handful of explosions and crashes. The center channel also gets heavy use as many of the car chases contain shots directly in front of or behind the vehicles' engine compartments. Auto enthusiasts will no doubt be excited by the differing growls of the cars being pushed to their limits, though in general the track might benefit from some RE-EQ treatment if your receiver has the capability (things sound a touch bright most of the time). Dialogue is consistently clear and intelligible, though it can have an occasional hissy edge as if its levels are being boosted. Overall though it's a very good, balanced track that thankfully did not get the same kind of treatment as the visuals.
Special Features: 0.5/5
Sadly, none of the features from the last DVD release have been included. The sole film-related item is the theatrical trailer, in high definition.
Theatrical Trailer (2m28s): Presented in 1080p with the MPEG-2 codec, with Dolby Digital 5.1 audio.
Trailers (5m48s): "The Usual Suspects," "Walking Tall" (2004), and "Out of Time" presented in 1080p with the MPEG-2 codec, with stereo audio for the first and Dolby Digital 5.1 audio for the second and third.
Recap
The Feature: 4/5
Video Quality: 2.5/5
Audio Quality: 4/5
Special Features: 0.5/5
Overall Score (not an average): 2/5
Could this be 2009's worst Blu-Ray release? It's still too early to tell, but it's definitely a contender. Sporting a mediocre transfer and next to zero special features, "Ronin" on Blu-Ray provides few incentives for DVD owners to upgrade let alone to entice new purchasers. If the title were reasonably priced I could maybe make the case for it being "cost-appropriate," but at a street price of around $28, it's far beyond what anyone would ever pay for a barebones release, even if it had stellar technical qualities. Personally, I would not pay more than $12 for this release, so if you really want it, wait for the price to come down. Unfortunately I doubt the film will be revisited for an improved transfer or expanded special features package any time soon.