Mark Seaton
Supporting Actor
- Joined
- Oct 10, 1999
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- 599
- Real Name
- Mark Seaton
Indeed, the B-DEAP 32 is an interesting animal. When we creatively use a B-DEAP sub in a confined home theater, we could in one way consider it a dual 12" sealed sub below maybe 16-22Hz. Above this frequency there is progressive loading from the horn, where we then reach the flat passband in the 28-32Hz region. You will see a gain of 10-18dB in the passband over that of these drivers if they were in a sealed box. In this range, we need 1/10th to 1/60th the power which would be required from the pair of sealed subs. What gets interesting is that the region where the drivers operate more like a sealed box, a solidly constructed room will begin to significantly augment the low frequency reproduction. This is the same effect that occurs in a car's cabin, yet at more than an octave lower, and typically in a much more lossy space. In most any dedicated room, you also have an initial gain in response below the 1/4 wavelength equivalent of the ceiling height, mixed in with the effects of the same factor with respect to the other dimensions of the room, where you ultimately end up in the "pressurization" region of the room. Below this point, you are effectively modulating the pressure of the room, as sound is not really propagating as the distances are small relative to the room's dimensions.
While many like to conceptualize sound as waves, we should remember that all our ears react to is the rate at which the air pressure modulates at the eardrum. As such, we most certainly still "hear" the bass below this "pressurization" region.
One of two reasons for using a pair of B-DEAPs in a room is to provide more displacement below the loss of horn loading. A single B-DEAP32 has more than enough output for any home theater above about 30Hz. By operating well below its operating limits, distortion and compression remain exceedingly low. Distortion does rise below about 30Hz, but I haven't had a chance to measure distortion in-room.
Conversely, the ServoDrive mechanism in the ContraBass has the unique benefit of maintaining, if not improving linearity at its upper output limits. The ContraBass should offer more peak output below 20Hz than a B-DEAP 32, yet the B-DEAP will have 10-20dB greater peak capability above 25Hz with the unique phase and impulse characteristics of an efficient horn.
Best Regards,