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Directly transferring a 35mm optical track negative would generate a lot of hiss, crackle and distortion. You have to make a positive print photochemically from the negative and utilize that element for the audio transfer.
Anybody working in film restoration would know this is how audio transfers are usually done.
If Hammer did a straight xfer of the optical negative, that would explain the audio problems on this release.
Anybody working in film restoration would know this is how audio transfers are usually done.
If Hammer did a straight xfer of the optical negative, that would explain the audio problems on this release.