Jose Martinez
Screenwriter
- Joined
- Dec 18, 2003
- Messages
- 1,113
- Real Name
- Jose Martinez
It does indeed. Cannot wait.
It's a conversion. (Principal photography was done using Super 35, rather than the Pace/Cameron Fusion digital system that's been used for all of the "shot in 3D" movies that have come out since Avatar.) So was the other "green" superhero movie from earlier this year, "Green Hornet". And both "Captain America" and "Thor" were conversions as well (although, at least, with Thor, the effects were done natively in 3D). Not a good summer for action heroes who should have been shot in 3D.Originally Posted by Cassy_w
Is this a converted 3D film or a real shot in 3D film? I am reading conflicting info.
It's not just you. On one hand, I hate to judge the look of films from trailers because sometimes they're released with effects that haven't been completely finalized and may be better in the finished film. On the other hand, I saw the trailer for this in theaters (both in 3D and 2D, actually) and the effects had the same "obvious" quality you described even on the big screen. His costume is a CG effect rather than being a practical outfit - not sure who came up with that idea, but I'm not sure that I'm a fan of that. Enhancing the costume with CG is one thing, doing it entirely that way - not my cup of tea.Originally Posted by Jose Martinez
As much as I am looking forward to this movie (and my favorite DC superhero), but is it me or do the special f/x look, well, like special f/x? It could be just the quality of looking at it on a computer screen and it'll look better on a big screen.
An attempt to infuse an earnest piece of comicbook lore with an irreverent, tongue-in-cheek sensibility yields decidedly mixed results in "Green Lantern." Starring a ripped, wisecracking Ryan Reynolds as the greenest member of a mighty intergalactic league of superheroes, helmer Martin Campbell's visually lavish sci-fi adventure is a highly unstable alloy of the serious, the goofy and the downright derivative. Sans Batman/Superman-level name recognition, this risky DC Comics franchise launcher will rep a real test of Warners' marketing muscle, though it functions well enough as eye-popping spectacle to appeal to summer moviegoers beyond its core constituency of salivating fanboys.
More than usual for this type of megabudget fare, the studio will rely on favorable reviews and word of mouth to counteract negative buzz that has persisted since the release of the film's first trailer in November. With four credited writers onboard (including producer Greg Berlanti, once slated to direct), the picture has been conceived as a present-day origin story for Hal Jordan, the most popular of the six human protagonists who have wielded the green power ring since the creation of the enduring comicbook series in 1940.
Even the casting of Reynolds, arguably the film's biggest gamble, soon reveals its calculation; the amusingly glib, too-smart-for-the-galaxy actor seems to have been chosen primarily to inoculate the film against its own encroaching cheesiness. As Hal learns to fly, conjure weapons with his mind and charm the socks off childhood sweetheart Carol Ferris (an underserved Blake Lively), Reynolds looks alternately flabbergasted and self-satisfied, providing little emotional bandwidth for a hero whose sense of wonder the viewer is never allowed to access. It's especially disappointing given the rich psychological dimensions Campbell brought to a very different origin story in 2006's "Casino Royale."
If it offers little worth listening to in terms of dialogue or music, "Green Lantern" does provide consistent visual diversions in Grant Major's production design, whose otherworldly cityscapes bear some resemblance to the all-digital backgrounds in the most recent "Star Wars" pictures. Even when its fantastical effects look blatantly artificial, the cleanly edited film has an elegance and overall design coherence that bespeak an able craftsman at the helm.
While hardly essential to the viewing experience, the application of 3D is well judged in its occasional isolation of foreground elements, and image brightness was at acceptable levels at the screening caught.
MPAA Rating: PG-13. Running time: 114 MIN.
http://www.variety.com/review/VE1117945442?refcatid=31