- Joined
- Feb 8, 1999
- Messages
- 18,421
- Real Name
- Robert Harris
Peter THX...
While the film is always the film, the presentation changes. Personally, I found Phantom a good film, not a great film, beautifully produced and photographed, and with a great audio mix. Last Samurai shines by virtue of John Toll's cinematography alone. Mr. Toll's work, while accessible in regular def DVD, is shone to advantage in High Definition, similar to his work on Thin Red Line.
Will I be viewing Doom in High Def. Probably not.
There are also a few unknowns out there at the moment. The start-up time and sync time to get High Def running may well be a part of the process, much like turning on a projector, and allowing it to get to speed. Most need at least seven feet to reach safe running speed.
On the purely technical side, I'll have to admit that I purchased the laser disc of Miami Vice simply to hear the first digital audio on the format.
As to the current number of discs, we're heading toward the slow summer season. I would expect studios such as Universal to have their programming in numbers ready for fall release. And like the work that Uni did as DVD was being prepped and released in 1996-7, during which they were at the top of the game with their own compression facility, I expect them to be offering superb High Definition fare.
As unpleasant as the concept seems, both formats may be around for quite some time. As more players of each are released, and the economy of writing off both internal costs as well as customer support and / ire grow in dropping such support, it would seem to be less likely that the format war will simply go away.
Greed is a wonderful thing.
While the film is always the film, the presentation changes. Personally, I found Phantom a good film, not a great film, beautifully produced and photographed, and with a great audio mix. Last Samurai shines by virtue of John Toll's cinematography alone. Mr. Toll's work, while accessible in regular def DVD, is shone to advantage in High Definition, similar to his work on Thin Red Line.
Will I be viewing Doom in High Def. Probably not.
There are also a few unknowns out there at the moment. The start-up time and sync time to get High Def running may well be a part of the process, much like turning on a projector, and allowing it to get to speed. Most need at least seven feet to reach safe running speed.
On the purely technical side, I'll have to admit that I purchased the laser disc of Miami Vice simply to hear the first digital audio on the format.
As to the current number of discs, we're heading toward the slow summer season. I would expect studios such as Universal to have their programming in numbers ready for fall release. And like the work that Uni did as DVD was being prepped and released in 1996-7, during which they were at the top of the game with their own compression facility, I expect them to be offering superb High Definition fare.
As unpleasant as the concept seems, both formats may be around for quite some time. As more players of each are released, and the economy of writing off both internal costs as well as customer support and / ire grow in dropping such support, it would seem to be less likely that the format war will simply go away.
Greed is a wonderful thing.