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- Feb 8, 1999
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- Robert Harris
One of Fox's latest offerings in their continuing Noir collection is the 1946 production, The Dark Corner, starring a pre-Lucy Lucile Ball, Mark Stevens (one of a group of second string players from the era), William Bendix and Clifton Webb.
A lovely DVD with a terrific black and white video image of Joe MacDonald's superb nor cinematography.
A release which is recommneded, and a great addition to Fox's series.
One thing struck me as I was watching it however.
Something that has always troubled me, whether reading a script or watching a completed film, is what I call "Nametag" dialogue.
Its as if the characters should be wearing adhesive tags proudly stating "Hi! I'm (fill in the blank).
This is one of those films in which the characters continuously refer to each other by name.
In the earlier days of the cinema, the main titles would occasionally have an image of the actor, identifying them by both their real name and by the character that they play. That way we can't get confused.
In The Dark Corner, I didn't make a count, but I would guess that Ms. Ball refers to her boss, played by Mr. Stevens, no less than fifty times, adding his name to each piece of dialogue.
"Gee, Brad, I'd never thought of that."
"What are you thinking, Brad."
"I'm not sure, Brad, but I think that man in the white suit..."
You get the idea.
Wonderful film, filled with name tag dialogue, and worth a visit.
RAH
A lovely DVD with a terrific black and white video image of Joe MacDonald's superb nor cinematography.
A release which is recommneded, and a great addition to Fox's series.
One thing struck me as I was watching it however.
Something that has always troubled me, whether reading a script or watching a completed film, is what I call "Nametag" dialogue.
Its as if the characters should be wearing adhesive tags proudly stating "Hi! I'm (fill in the blank).
This is one of those films in which the characters continuously refer to each other by name.
In the earlier days of the cinema, the main titles would occasionally have an image of the actor, identifying them by both their real name and by the character that they play. That way we can't get confused.
In The Dark Corner, I didn't make a count, but I would guess that Ms. Ball refers to her boss, played by Mr. Stevens, no less than fifty times, adding his name to each piece of dialogue.
"Gee, Brad, I'd never thought of that."
"What are you thinking, Brad."
"I'm not sure, Brad, but I think that man in the white suit..."
You get the idea.
Wonderful film, filled with name tag dialogue, and worth a visit.
RAH