- Joined
- Feb 8, 1999
- Messages
- 18,411
- Real Name
- Robert Harris
I try very hard not to go into viewing any Blu-ray with preconceptions, and must admit that I was a bit fearful popping M-G-M's new Blu-ray of Vera Cruz into my player.
I've come away very pleased. Someone has done some very nice work bringing this hybrid production to Blu, and although I can't
be certain, it appears that they may have taken the proper turn at every fork.
SuperScope productions were shot 1.37:1, and exploited for early wide-screen by doing a field enlargement at the matrix stage during the creation of dye transfer prints. The image was cropped, losing quite a bit of the top and bottom, and then optically squeezed, with black side panels added at the sides, yielding an uncompressed image at 2:1.
The field enlargement of the early Eastman (and occasional three-strip) stocks was generally not a happy occasion. Eastman single strand printer functions, ie. fades and dissolves, along with title sections and dupes, are as problematic as normal, and this is what the film looks like, and looked like at release. Dupes will have problems with grain, contrast and resolution, as the early duplicating stocks were less than stellar.
Overall, Vera Cruz is a gorgeous Blu-ray, that looks amazingly good. Although not reviewed well when released, just having two of the greatest actors of the era working together in a fun Robert Aldrich film, is worth the price of Blu-ray admission.
Recommended.
RAH
I've come away very pleased. Someone has done some very nice work bringing this hybrid production to Blu, and although I can't
be certain, it appears that they may have taken the proper turn at every fork.
SuperScope productions were shot 1.37:1, and exploited for early wide-screen by doing a field enlargement at the matrix stage during the creation of dye transfer prints. The image was cropped, losing quite a bit of the top and bottom, and then optically squeezed, with black side panels added at the sides, yielding an uncompressed image at 2:1.
The field enlargement of the early Eastman (and occasional three-strip) stocks was generally not a happy occasion. Eastman single strand printer functions, ie. fades and dissolves, along with title sections and dupes, are as problematic as normal, and this is what the film looks like, and looked like at release. Dupes will have problems with grain, contrast and resolution, as the early duplicating stocks were less than stellar.
Overall, Vera Cruz is a gorgeous Blu-ray, that looks amazingly good. Although not reviewed well when released, just having two of the greatest actors of the era working together in a fun Robert Aldrich film, is worth the price of Blu-ray admission.
Recommended.
RAH