Jon Martin
Senior HTF Member
- Joined
- Sep 19, 2002
- Messages
- 2,218
That can be debated (but maybe not here). It should be a collaboration between the director and the person behind the camera whose work closely mirrors his own.
Criterion makes a point of working with the cinematographers in making the transfer. Look at what happened with CHUNGKING EXPRESS. After it was set to go to manufacturing, Chris Doyle had some changes with it and they redid it.