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- Robert Cashill
Misremembered I think. This is apparently a longer version but I doubt that was ever part of it.Zulu Uk has very paint red blood; Us, not so much.
Reviews (from a reviewer) on another site:David_B_K said:I decided to buy the TT version after hearing of the big upgrade in sound. However, I don't think they are dramatically all that different. There is more stereo separation on the TT, but I could still detect some on the UK version. The sound is better on the TT, just not overwhelmingly so. Though I bought the new version mainly for the sound, it was the video that most impressed me.
KHARTOUMBob Cashill said:Misremembered I think. This is apparently a longer version but I doubt that was ever part of it.Zulu Uk has very paint red blood; Us, not so much.
It's not missing, for it was never on the US release. The film was sold to different distribution companies around the world so there would be different logos attached to the film. In the US it was distributed by Embassy Pictures. In the UK it was by Paramount British Pictures.billlit said:Sorry to see that the Twilight Time Blu-ray is missing that specially-designed Paramount logo, though. Otherwise, great transfer.
The 35 mm prints in their reissue also stuck a intermission in the most unlikely place. If I recall it correctly it was during the attack on the hospital. Part 1 ended when thy were going thru a door and Part 2 began when they came out the other side. Crazy!DP 70 said:When Zulu was shown in 70mm at the Casino Cinerama Theatre in 1972it had an Intermission,I worked with the person who put in in.Also i have only ever seen 1 version of Khartoum.
The review by Bosley Crowther in the New York Times lists the running time as 138 minutes, with no mention of an intermission.Douglas R said:I think any intermission and placement were at the whim of the cinema involved. The film wasn't designed for an intermission and I'm sure it didn't have one when it premiered at the Plaza.
There was never an intermission when it screened at the Plaza. I recall queuing with school friends for the first Saturday matinee. The queue went around the block.Douglas R said:I think any intermission and placement were at the whim of the cinema involved. The film wasn't designed for an intermission and I'm sure it didn't have one when it premiered at the Plaza.
I agree it just fell through the cracks.ROclockCK said:Yeah, ole Ralph sure made his mark, albeit briefly. But he always had that knack David. I don't think the perceived *failure* of Khartoum was a case of 'what' it was, but rather 'when'. By 1966, I doubt I was alone in my waning interest in yet another Charlton Heston epic roadshow, and frankly, was too young to fully appreciate the presence of Olivier, as well as the historical turf covered. Khartoum just fell through the cracks for me, but no reflection on the quality of the film, or its production values, both very well served by this presentation.
That's a viewpoint which the British critics didn't go along with at the time. When the film was released in the UK the majority opinion of the major newspaper critics was that Olivier gave a very hammy performance whilst Heston was praised (and surprised the critics) for his performance.Seeing the film in Cinerama it seemed very plodding but I think I had hoped for more of an action film. Seeing it again more recently in HD on TV it was better than I remembered, partly due I think to a realisation that such epic historical films unfortunately are not made today.ROclockCK said:Olivier was just fantastic, stealing every page of script they handed him; Heston's effectiveness varied somewhat with his accent
It is no Lawrence of Arabia but there can only be one anyway. For a lot of people who like historical epics Khartoum will do just fine and it also looks really good which is a nice bonusDavid_B_K said:Glad to see a good response to Khartoum. For some reason, the fact that it is not Lawrence has given people the impression that the film is somehow a failure.