A week before "Star Wars: Episode I". That early May slot worked before when I believe "Twister" opened big followed by "Mission: Impossible" on the Memorial Day weekend.
I would argue that these two franchises never competed. With almost a month in between openings, Harry Potter had already earned the majority of its money well before LOTR opened.
Now this season will be a bit different because Narnia is sandwiched between Harry Potter and King Kong which puts much less breathing room between each epic.
shows that, in the last decade, the second movie in a series seems to be the best performer with the third movie generally dropping.
I think studios generally bank on the second movie doing better these days- with escalting production costs on a second film, 2/3 of the gross will likely only be profitable if the first film was either relatively low budget *or* grossed 250+ million.
Revenge Of The Sith has now made $377,262,649. It's huge opening gross is hard to ignore and according to Box Office Mojo the opening was 28.7% of the total. Is that normal? Good. Bad? Seems like that percentage is lower than other event films? Look forward to reading your thoughts.
which shows the top openings of all time and the percentage that represented of the total. Of the top 10, five movies had had opening weekends that represented
If you have a blockbuster opening ($50 million-plus), the target percentage of the opening/final tally comparison should be anything under 29%. That says that your movie had solid legs. Anything under 20% and you have a phenom (ala 'The Phantom Menace' and "Jurassic Park").
Or you could be an absolute freak of nature like "Titanic" and have your opening mark represent barely 5% of your total domestic haul.
Painful to see that Eastwood makes just $5 million and Michael Bay takes home $10 mill. Of course, along with Eastwood's 5, he takes home a few golden statutes.
Doesn't Spielberg usually make ~50-60 mill for each movie? I thought most of his deals had a fixed amount similar to what Terry states above and included a % of the gross.
I'm kind of wondering how on earth Titanic made 2 billion or whatever it made, given the state of the box office today..I mean 1 billion worldwide is tremendous these days - maybe one movie every two years gets close. On the subject of Titanic and directors, is James Cameron still alive?
I don't think I'll ever see another Titanic type box office gross in my lifetime(22 years old atm). I'm guessing The Da Vinci Code will be huge next year, since the story is so well known around the world. Would 1.5 billion be an overexaggeration of how much that movie grosses?
The $15 million is Spielberg's usual upfront fee. At times, he'll direct for much less in order to receive really fat backend packages. For example, his piece of "Jurassic Park" netted him about $75 million. He also took no fee to direct both "Schindler's List" and "Amistad".
Spielberg's personal net worth is $2.6 billion (the same as Donald Trump's). Spielberg is one of only two directors who are sitting on a billion dollar fortune. The other is George Lucas, who has a net worth of more than $3 billion.
I can't fathom that it would come anywhere close to that.
The DaVinci Code's performance will be interesting since the secrets of the book are so well known. Even aside from the millions of readers of the book itself there have been numerous magazine and television news mentions to the point where I doubt very many people will be surprised going into the film, particularly as the news stories are likely to heat up again just prior to the film's release.
Then there is the fact that the book is almost entirely exposition about the past which will be tough to translate on the screen without going overlong or being dull due to everybody lecturing all of the time.
Books, especially popular ones, can be very hard to adapt successfully to the screen. Look at "Midnight in the Garden of Good and Evil." It was on the bestseller lists for nearly 4 years, and the film was a huge bomb.
The Da Vinci Code is a phenomenon though -- I mean, people are actually traveling to the locations mentioned in the book and asking tour guides to show them this and that.
Bonfire of the Vanities was another book to bomb. Who was in that
The Da Vinci Code will NOT be a bomb. Maybe $200M. It won't even do Harry Potter numbers, but will be rather successful.
People in Hollywood don't get paid for qualioty, but gross. It's that simple. Gary Oldman will never be paid 35% of what Drew Barrymore is paid. That's simply a cold fact of business. Blame the audience...not the machine.
Cameron is still very much alive. He relinquished his director's fee for Titanic, but kept his writer's fee. Once it got big (and I mean BIG - WAAAAAAAY in the black), Fox decided a happy Cameron was worth a little money. Maybe Terry knows the details...I don't.
this may be the wrong forum to ask, but does anybody here feel there's any difference in quality between 'Batman Forever' and 'Batman and Robin'? i am equally indifferent to both, so i honestly can't see why one was a smash and the other a bomb. the only explanation i can come up with is that Forever came out first and was a refreshing difference from the Burton versions. other than that, i think they're the same movie.