The good news is. that DT's don't need much power with 8 ohms impedance, and 92 db efficiency, not to mention it's built in powered subs, you can reach high spl levels with 50 watts/channel.However since it's bipolar, it will need special care to set them up.Personally I would use electronics...
I listed In N' Out because it's fastfood chain!!!!! I didn't list it because it is the bast burger place, however it kicks butt compared to the other joints I've listed with the other movies.So Greek diners serve burgers? What's next a gyro at the taco stand? :D
If they were showed on too much on the "positive" light it wouldn't come accross as realistic to me. Yeah, not too big of fans of their "kind". It's funny you asked about this. EW just had an article how Hollywood avoided political themed movies after 9/11.Now they have a bunch in the works and...
First of all, all plus driver models are backordered,something to keep in mind if you're in a hurry like me[I've ordered the +/2 anyway]. 2. Pretty much everybody who either heard or tested both are more fond of the Ultra subjectivelly speaking, it also measures louder at 20hz and below, but...
I just tried the DD and I must say that the DTS is indeed a different soundtrack all togheter.Either they had "dumbed" down the DD or "sweetened" the DTS, but they're nothing alike. ALA SPR
Yeah and if you don't have amp limiters built in and HPF in conjunction with it, this might be the last movie your sub will reproduce, if you blast this at near refference levels. You've been warned!;)
Calibration is one thing room correction is another. All subs benefit from room correction, be it electronic or "accoustic". To me a PEQ is essential tool,and it had been in use over 5 years in my house. Don't use a sub without it.! :)
I would also go with the a single SVS, for reasons alone Kevin cited, not to mention the output capabilities of the Ultra.Even the PB-12plus/2 would be a winner for about $800 less.
Nice speakers guys, I had a pleasure to audition the whole line[except the Mahler], they sounded absolutelly phenominal.:emoji_thumbsup:
Too bad I couldn't afford them.:frowning:
EP I or II has no flag but on Ep III the THX trailer has it, so if you watch the movie from the begining, then it will stay in the EX mode[most likely].
It's not a volume controll per se, but a gain controll for the amp's input. It basically indicates what voltage the amp needs to reach the same output it is rated for.Many people recommend to turn the gain controll up to it's close to max settings, so that the icoming level can be set lower and...
Yes, and I said this back a few pages. This is why I think this is a creative deceison, rather then some kinda "error" on the mastering part.However it worth to mention that theaters don't use bass manegment, most of us do, so unless you're running an identical set up, determining the LFE level...
I guess you never heard the EP1 Laserdisc, which was an average 7-8 db higher mastered and sometimes as much as 10db then the R1 DVD.On top of that it seemed the bass was more force full on it too. That was a direct portal of the theatrical release[LD alway get the theatrical mixes with no...