- View New Content
- Blu-ray, DVD, Streaming Video and Digital Downloads
- Home Theater Hardware
- Theaters, Remotes and Accessories
- Equipment Reviews
- DVD & Blu-ray Reviews
- Other Diversions
- Bargains and Deals
- Feedback and Testing
- Latest Blu-ray Deals
- Blu-ray Pre-Orders
- Shop Amazon & Support HTF
- Theater Photos
DVD & Blu-ray Reviews
- Equipment Reviews
- Dolby Atmos
- Shop Amazon
- Support HTF
DVD & Blu-ray Deals
Categories See All →
DVD & Blu-ray Reviews
Shadows and Fog Blu-ray Review
Nov 25 2015 02:22 PM
Having paid homage to celebrated cinematic icons like Ingmar Bergman and Federico Fellini in such films as Interiors, Stardust Memories, and A Midsummer Nigh... Read More
Scorpio Blu-ray Review
Nov 24 2015 02:12 PM
Michael Winner’s Scorpio was but one of a multitude of espionage thrillers produced during the late 1960s and 1970s with plots and atmosphere that emphasized... Read More
Broken Lance Blu-ray Review
Nov 23 2015 02:44 PM
A Cinemascope western with something on its mind other than cowboys and Indians (though they certainly are present in the scenario), Edward Dmytryk’s Broken... Read More
Eight Men Out Blu-ray Review
Nov 22 2015 02:31 PM
Scandals, whether they be in sports, politics, or the arts, can make for compelling viewing provided one has the proper writer for the script and the correct... Read More
The Spy Who Came in from the Cold Blu-ray ReviewBlu-ray Criterion
- Studio: Criterion
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 1.66:1
- Audio: English PCM 2.0
- Subtitles: English SDH
- Rating: Not Rated
- Run Time: 1 Hr. 52 Min.
- Package Includes: Blu-ray
- Case Type: keep case
- Disc Type: BD50 (dual layer)
- Region: A
- Release Date: 09/10/2013
- MSRP: $39.95
The Production Rating: 4.5/5A middle-aged British spy (Richard Burton) who is tired and on the verge of retirement is given one last assignment to infiltrate East Germany and uncover information about a former colleague (Peter Van Eyck) suspected of having become a Communist traitor. Along the way of the carefully orchestrated path to East Germany, he happens to fall in love with a naïve young librarian (Claire Bloom), an attachment that’s not wise for operatives who spend their lives as mostly shadows in singular isolation. And, as he (and we) eventually come to realize, the game afoot is not exactly what it appears to be.
The screenplay by Paul Dehn and Guy Trosper stays remarkably faithful to the original Le Carré book, though early scenes thrust the audience immediately into situations that may be initially bewildering for some. Additional other pacing problems are also present in the early going before director Martin Ritt gets the central story underway and gets character relationships established and more involved. By the time things become clear and we feel we know the caper at hand, a series of twists rocks us back in our seats giving the movie a wonderful aura of surprise which we can share with some of the characters in the scenes. Ritt stages the tribunal sequence quite well, never allowing its testimony and examinations to become too cerebral or confusing and keeping a nice mix of close-ups and medium shots alternating with one another. There is a seaside walk and talk between Burton and German agent Fiedler (played by Oskar Werner) that’s straightforwardly shot and hauntingly beautiful. And that climactic dash to freedom makes for a chilling denouement, abetted by the terse instructions before it happens and the screams of sirens and the frightening crack of gunfire in its midst.
Richard Burton’s world-weary loner awakened by love but committed to a difficult mission is one of his finest, most controlled film performances. His stooped, hazily alcoholic demeanor, shambling slowly through his assigned stops along the way to his ultimate end, is a beautifully realized character paired nicely with Claire Bloom’s sweetly innocent and lovely Nan. Oskar Werner steals all of his scenes as the firecracker operative eager to replace his superior while George Voskovec expertly grills the witnesses mercilessly but with welcome restraint during the tribunal. Sam Wanamaker, Cyril Cusak, and Michael Horden all play agents of varying skills with expert precision. Only Peter Van Eyck as number one German spy Mundt seems underwhelming and somewhat over parted.
Video Rating: 4.5/5 3D Rating: NA
The film is presented here in a 1.66:1 aspect ratio and is offered in 1080p resolution using the AVC codec. There is pleasing sharpness consistently maintained in the transfer though some close-ups of the stars have been diffused a bit. The grayscale is nicely rendered even if black levels aren’t always as deep as in the reference transfers of other monochrome films, and contrast is usually dialed in perfectly. Age-related artifacts like scratches and dirt seen in previous releases of this film on DVD are now a memory. The film has been divided into 13 chapters.
Audio Rating: 4.5/5The PCM 2.0 (2.3 Mbps) stereo sound mix is by far the most involving the film has ever been on home video. Sol Kaplan’s sometimes dissonant and jangling music sounds wonderfully rich and full paired with the crisp visuals and effective sound effects to keep audiences completely engaged. The dialogue has been expertly recorded and is never compromised by the music or effects tracks.
Special Features: 4.5/5John Le Carré Interview (39:00, HD): Recorded in 2008, the original book’s author mentions memories of working with Martin Ritt and gives a candid critique of the entire film including the casting and his ideas about the misdirection of certain scenes.
The Secret Centre: John Le Carré (59:17, HD): a 2000 documentary on the life and writings of the best-selling author which finds the writer reading from some of his selected manuscripts.
Martin Ritt Interview (48:59): an audio only interview with the producer-director. In it, he discusses his career as an actor as well as a director, his interest in making humanistic films, his involvement with the infamous blacklist of the 1950s, the current lack of really involving material, and his working relationships with actors.
Audio Commentary on Selected Scenes (39:55, HD): cinematographer Oswald Morris is very candid about the various problems in the film’s production and also mentions for him the highlights of the film.
Set Design Gallery: a step-through gallery of set sketches by art director Edward Marshall.
Richard Burton Interview (33:39): filmed for the BBC in 1967, critic Kenneth Tynan finds the actor talking about his films, his stage work, and his early career.
Theatrical Trailer (1:29, HD)
15-page Booklet: features some portraits of the leading actors as well as cast and crew lists, the chapter listing, and a celebratory essay on the director’s achievements with this film and others by critic Michael Sragow.
Timeline: can be pulled up from the menu or by pushing the red button on the remote. It shows you your progress on the disc and the title of the chapter you’re now in. Additionally, two other buttons on the remote can place or remove bookmarks if you decide to stop viewing before reaching the end of the film or want to mark specific places for later reference.