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DVD & Blu-ray Reviews
Chef Blu-ray Review - Recommended
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Oz the Great and Powerful 3D Blu-ray Review3D Blu-ray Disney
Jun 04 2013 04:38 PM | Matt Hough in DVD & Blu-ray Reviews
- Studio: Disney
- Distributed By: N/A
- Video Resolution: 1080P/MVC
- Aspect Ratio: 1.33:1, 2.40:1
- Audio: English 2.0 DD, English 5.1 DD, English 7.1 DTS-HDMA, Spanish 5.1 DD, French 5.1 DD
- Subtitles: English SDH, Spanish, French
- Rating: PG
- Run Time: 2 Hr. 10 Min.
- Package Includes: 3D Blu-ray, Digital Copy
- Case Type: keep case with slipcover
- Disc Type: BD50 (dual layer)
- Region: ABC
- Release Date: 06/11/2013
- MSRP: $44.99
The Production Rating: 3.5/5It’s Kansas in 1905 and Oscar Diggs nicknamed “Oz” (James Franco) works as a carnival magician but is somewhat resentful that he isn’t enjoying greater professional success. As a serial womanizer, he’s got his hooks into every attractive face at the third rate carnival, but when the circus strongman (Tim Holmes) comes after him for being involved with his wife, Oz hops in his hot air balloon to make a quick getaway. All of this happens just as a cyclone comes spinning into the area, and Oz is quickly swept up into it, whirled around, and deposited into a strange, wondrous land which just so happens is also named Oz. He meets attractive young witch Theodora (Mila Kunis) who falls for the same snake oil he feeds all of his Kansas cuties, but because she firmly believes he is indeed the wizard who had been foretold to land there, she imagines marrying Oz and ruling the land with him. Theodora’s jealous sister, the evil Evanora (Rachel Weisz), sees through the imposter and sends him into the dark forest to retrieve the magic wand of the witch who resides there effectively killing her, but when he meets Glinda (Michelle Williams), her beauty and innocence win him over as he realizes that the other witches are the evil ones who have their own plans for taking over Oz and ruling it harshly.
Taking their cue from the treatment of the original book by the MGM screenwriters, Mitchell Kapner and David Lindsay-Abaire have written in their screenplay the Kansas scenes (presented in the old Academy ratio and in black and white) with characters who will appear in Oz in other guises but with traits comparable to their Kansas characters. Viewers thoroughly schooled in The Wizard of Oz will likely revel in the continual allusions to the book and film and yet Kapner and Lindsay-Abaire have not slavishly followed any set formula in creating this new version of Oz. Yes, there are Munchkins and Winkies and Flying Monkeys, the poppy field is there as is the dark forest and the yellow brick road, and it’s delightful seeing the genesis of what will be familiar sets from the MGM movie (particularly the Wizard’s throne room and the hot air balloon) eventually come together. But the film seems a little light on plot. There are so many characters for us to get to know that there hardly seems time to generate the kind of gripping narrative that pulls us along eagerly from scene to scene. Since this is an origin story film that must concentrate on getting the witches and the wizard into their proper hierarchy before Dorothy inevitably arrives, the plot suffers, and we’re left with basically a battle royal between the forces of good and evil with good basically relying on a flimsy bag of magician’s tricks to save the day.
But director Sam Raimi keeps our discoveries in this new Oz continually fresh and fun. A new China Doll character (voiced by Joey King who plays a crippled child in the Kansas sequence) is a delightful addition to the Land of Oz, and Oscar gets his own personal flying monkey Finley (voiced by Zach Braff who plays his offstage assistant in Kansas) who becomes a welcome partner and traveling companion. Raimi protracts the Wicked Witch of the West’s fiery entrance by a few beats too many (obviously trying to outdo her original entrance in the 1939 film), but the action set pieces once the battle begins all work wonderfully and aren’t prolonged to the point of exhaustion.
James Franco’s Oscar pushes the ladies’ man idea into overdrive as the fraudulent magician/wizard, but he certainly grounds the movie and gains in confidence and appeal as the movie progresses. Having to play what turns into one of the most iconic characters in all cinema is a daunting job for Mila Kunis who gets away with it but only barely. She does manage to add some convincing heartbreak to her embittered Theodora which adds some shades to her character, something that isn’t afforded Rachel Weisz’s more conventionally evil and conniving Evanora. Michelle Williams is a lovely but perhaps too-down-to-earth Glinda, less regal and bubbly than the role’s originator. Zach Braff is a loyal companion though he might have turned up the funny just a notch while Joey King is whimsical and poignant as the delicate China.
Video Rating: 5/5 3D Rating: 5/5
The film opens windowboxed in 1.33:1 and black and white and spreads into 2.40:1 and color once the balloon crash lands in Oz, all delivered in 1080p using the AVC codec. The monochrome scenes, while not quite possessing the sepia tint as in the original 1939 film, are excellently sharp and detailed. The Oz scenes, of course, feature breathtakingly rich and super-saturated color (sometimes fluorescent but not to the point of blooming) and pleasing sharpness throughout. Black levels are superb, and entering the Dark Forest is something of a relief from the almost oppressive color of what has gone before. When the characters emerge, the color seems vivid but a little less overwhelming while still remaining a great feast for the eyes. The film has been divided into 52 chapters.
Filming the feature in native 3D yields one of the most impressive, awe-inspiring uses of the medium that the movies have yet experienced. From the opening credits which find myriad ways to place numerous objects in varied planes to please the eye, the 3D invention simply doesn’t stop. The vast expanses of both Kansas and Oz are increased with the additional depth that 3D can provide, and lovers of forward projections will simply delight in the fascinating ways the director finds to shoot things from beyond the frame. From fire that flies outward beyond the windowboxing in the introduction to the Kansas carnival to birds, hats, snow (particularly impressive as Oscar lands in Oz), water droplets and water spit at the camera, broken mirror glass, and spears, the pop-outs are numerous but not to the point of overuse. And you’ll be hard pressed not to flinch several times as various visages come thrusting out to greet/scare you.
Audio Rating: 5/5The disc defaults to a Dolby 2.0 Surround track (for those watching the disc and feeding the sound only to the TV speakers), but the DTS-HD Master Audio 7.1 sound mix is a remarkable achievement with continual delights for the ear. When the balloon is thrust up inside the cyclone, the surrounding sound is as enveloping as anything ever presented in a surround track. The hideous screeches of the winged monkeys will tax even the most sophisticated sound systems, and the mixture of continual sound effects which pan through and around the soundstage frequently, music (engaging score by Danny Elfman), and beautifully recorded dialogue (bound to the center channel) are melded in perfect harmony.
Special Features: 0/5Promo Trailer (3D, HD): Monsters University
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