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Mary Poppins: 50th Anniversary Edition Blu-ray ReviewBlu-ray Disney
- Studio: Disney
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 1.66:1
- Audio: English 2.0 DD, English 5.1 DD, English 7.1 DTS-HDMA, Spanish 5.1 DD, French 5.1 DD
- Subtitles: English SDH, Spanish, French
- Rating: G
- Run Time: 2 Hrs. 19 Min.
- Package Includes: Blu-ray, DVD, Digital Copy
- Case Type: keep case in a slipcover
- Disc Type: BD50 (dual layer)
- Region: ABC
- Release Date: 12/10/2013
- MSRP: $39.99
The Production Rating: 5/5Because their parents George (David Tomlinson) and Winifred (Glynis Johns) Banks are busy with their own careers (he’s a banker; she’s a women’s suffrage activist), children Jane (Karen Dotrice) and Michael (Matthew Garber) Banks feel neglected and rebel against all of their nannies. They write an advertisement of their own for the perfect nanny for them, and she magically appears in the person of Mary Poppins (Julie Andrews). She’s a kind but somewhat starchy personality, but through her auspices, strange and magical things begin happening which teach the children valuable lessons, and thus the children are transformed into obedient and more thoughtful tykes. Not only that, but the family’s other servants develop a warm camaraderie that had been missing before the nanny’s arrival. Mr. Banks, upset by all the cheerfulness in his more soberly regimented household of yore, thinks the children’s time could be better spent in more serious pursuits than in the imaginative ways Mary Poppins had been using it, so he intends on making some changes.
The Poppins books by P.L. Travers are episodic in nature with no real story through lines, so the primary challenge in the adaptation by Bill Walsh and Don DaGradi was to concoct scenes which could link the various adventures the children have with and without Mary Poppins. Their script is a masterful construction with just enough connective tissue to make the story of Poppins’ magical effect on a splintered family ring completely true. Part of that bonding fiber is the absolutely magical score by Richard and Robert Sherman. With enough songs to fill a Broadway show (most original movie musicals of the era not adapted from stage works had about half as many songs), the score is tender, funny, spirited, and most of all appropriate to the mood of the piece and the time frame of the film (the Edwardian era). The songs and story work in such close harmony that one can’t really be separated from the other. The three magical adventures which Mary Poppins and her frequent companion jack-of-all-trades Bert (Dick Van Dyke) take the children on all have songs at their core and each is a show-stopping marvel: the chalk picture lark which involves a carousel, a fox hunt, and a horse race are tied to two songs: the lilting “Jolly Holiday” and the boisterous “Supercalifragilisticexpialidocious”; the tea party on the ceiling involves Mary’s Uncle Albert (Ed Wynn) who exclaims, “I Love to Laugh”; and the film’s all-stops-out production number is a rooftop tour of London with some chimney sweeps who “Step in Time.”
These numbers (and many others including the lively “Spoonful of Sugar,” the haunting “Feed the Birds,” and several variations of the Oscar-winning “Chim-Chim-Cheree”) utilize the services of Disney magic in ways that stagger the imagination. The “Jolly Holiday” sequence wasn’t the first time Disney had melded live action and animation, but it was the most extensive sequence ever attempted by the studio and certainly among its most successful ever. With so many magical effects that nonchalantly come and go during the movie without calling vast attention to themselves (cleaning the nursery, the Bird Woman sequence on the steps of St. Paul’s Cathedral, the flight of the nannies, the effects of Admiral Boom’s (Reginald Owen) hourly signal), it’s almost too much visually to take in at one time; it’s no wonder that the film has inspired such loyalty through the decades who made it unquestionably the successor to The Wizard of Oz in terms of musical movie magic.
Mary Poppins was Julie Andrews’ first movie, and her one-two punch of this film and The Americanization of Emily in 1964 made her the hottest star in Hollywood. Yet, despite her inexperience in film work, she’s a natural before the camera: grounded, polished, and, just as the title character herself, practically perfect in every way. It’s little wonder she was rewarded with an Oscar and a Golden Globe for her work here: it’s a breathtaking display of a triple threat artist’s singing, dancing, and acting in a first class production where all the stars were simply aligned to illuminate her brilliance. Dick Van Dyk’e cockney accent may have come in for some criticism at the time, but he’s so amiable a presence, so life-affirming and upbeat that such criticism seems rather beside the point, and he's also a triple threat artist easily able to match his leading lady. David Tomlinson utilizes talk-sing for his numbers as Mr. Banks and negotiates the film’s widest emotional arc with considerable skill winning the audience over by movie’s end. Glynis Johns who would win a musical actress Tony a decade later in A Little Night Music brings her warmth and vivacity as the preoccupied mother. As the children, Karen Dotrice and Matthew Garber exude all the high spirits and excitement of young children in the throes of amazement. And veteran actors like Ed Wynn, Arthur Treacher, Reta Shaw, Hermione Baddeley, Elsa Lanchester, Jane Darwell, and Reginald Owen do wonderfully with their limited appearances.
Film Clip: Spoonful of Sugar
Film Clip: Penguin Dance
Film Clip: Penguin Dance
Video Rating: 5/5 3D Rating: NA
The film has been framed here at 1.66:1 and is presented in 1080p using the AVC codec. By far the best the movie has ever looked on home video, the color is the most outstanding facet of this transfer. For the first time on home video, the flesh tones look right, neither too brown nor too pink, and the “Jolly Holiday” animation boasts beautifully saturated hues which stun but don’t bloom. Sharpness is excellent (yes, thin matte lines from previous releases are still present on occasion but seem much tamer in high definition), and the transfer offers quite a film-like texture. Black levels are wonderful. The film has been divided into 24 chapters.
Audio Rating: 4.5/5The transfer offers a DTS-HD Master Audio 7.1 sound mix (utilized for this review) as well as Dolby Digital 2.0 and 5.1 sound mixes. The most striking aspect of this new lossless encode is that conductor Irwin Kostel’s superb orchestrations are now so wonderfully spread out to the various channels to be heard and relished clearly for the first time. There is just the right amount of bass to the mix, and the musical accompaniment and underscore has been balanced beautifully with the singing voices and dialogue in the picture, all rooted in the center channel. While ambient effects may not have been opened up to the various channels as the music has been, the overall listening experience is still one to be savored.
Special Features: 5/5Audio Commentary: Julie Andrews and Dick Van Dyke, Richard Sherman and Karen Dotrice, and Robert Sherman all participate in an edited together commentary track that’s a fine accompaniment to the onscreen visuals.
Becoming Mr. Sherman (14:01. HD): composer Richard Sherman and his on-screen alter ego Jason Schwartzman (who plays him in the upcoming Saving Mr. Banks) talk about the songs for Mary Poppins and the actor’s gratitude to get help from the real-life composer when he was making the movie.
Mary-Oke (7:58, HD): four songs from the film are given an animated, singalong treatment. They may also be selected individually.
Ported-Over DVD Bonus Material (SD unless otherwise noted)
- Mary Poppins from Page to Stage (48:06): the creative team behind the adaptation of the book and movie musical into a London (and later New York) stage version discuss the show’s creation.
- “Step in Time” (7:08): the stage version of the famous dance number.
- Supercalifragilisticexpialidocious: The Making of Mary Poppins (50:46): an excellent behind-the-scenes look at the film’s more than two year production history with many cast and crew recalling its production.
- World Premiere (17:45): the premiere of the film at Grauman’s Chinese Theater in Hollywood features interviews with many celebrities in both color and black and white footage.
- Premiere Party (6:23): radio interviews with the celebrities attending the premiere party after the film had concluded.
- Movie Magic (7:05): some behind-the-scenes looks at how some of the special effects in the film were achieved.
- Deconstruction of “Jolly Holiday” (13:03): clips show the live action, in between animation, and compositing of images to achieve the final product for the lengthy sequence.
- Deconstruction of “Step in Time” (4:52): a behind-the-scenes look at how the dancing and effects were achieved during this production number.
- Dick Van Dyke Make-up Test (1:07): the make-up test for Dick Van Dyke as the aged Mr. Dawes.
- Trailers: teaser (2:54), theatrical (4:14), Julie Andrews premiere greeting trailer (0:39), two TV spots (0:32, 0:33), three reissue trailers (1:02, 1:12, 1:02)
- Magical Musical Reunion (17:19): Richard Sherman, Julie Andrews, and Dick Van Dyke recall fond memories of making the movie.
- Deleted Song “Chimpanzoo” (1:38): with storyboard visuals
- Disney Song Selection (32:55, HD): jump directly to eight separate songs in the film with subtitled lyrics. They may also be accessed individually.
- Short subject The Cat That Looked at a King (9:52): Julie Andrews stars in an animated/live action short.
DVD/Digital Copy: disc and code sheet enclosed
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Bonus Clip: Dick's Lunchtime Joke
Bonus Clip: Dick's Lunchtime Joke