- View New Content
- Blu-ray, DVD, Streaming Video and Digital Downloads
- Home Theater Hardware
- Theaters, Remotes and Accessories
- Equipment Reviews
- DVD & Blu-ray Reviews
- Other Diversions
- Bargains and Deals
- Feedback and Testing
- Latest Blu-ray Deals
- Blu-ray Pre-Orders
- Shop Amazon & Support HTF
- Theater Photos
DVD & Blu-ray Reviews
- Equipment Reviews
- Dolby Atmos
- Shop Amazon
- Support HTF
DVD & Blu-ray Deals
Categories See All →
DVD & Blu-ray Reviews
Home Blu-ray Review
Jul 31 2015 02:01 PM
Perhaps the least ingratiating or creative entry in the DreamWorks Animation canon, Tim Johnson’s Home borrows a bit from E.T. and other sci-fi films and tel... Read More
How to Get Away With Murder: The Complete First Season DVD Review
Jul 30 2015 01:50 PM
ABC’s highest-rated new series for the 2014-2015 season was How to Get Away With Murder, the brainchild of Shonda Rhimes protégé Pete Nowalk who brings to th... Read More
Places in the Heart Blu-ray Review
Jul 30 2015 11:04 AM
Robert Benton has not been a prolific movie director, with only eleven films on his directorial resume, but his work includes serious dramas such as Kramer v... Read More
Child 44 Blu-ray Review
Jul 29 2015 01:26 PM
One of the most frighteningly realistic depictions of post-war Stalinist Russia ever portrayed on film, Daniel Espinosa’s Child 44 combines a serial killer s... Read More
Love Me Tender Blu-ray ReviewBlu-ray Fox
- Studio: Fox
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 2.35:1
- Audio: English 1.0 DTS-HDMA (Mono), English 5.1 DTS-HDMA, Spanish 1.0 DD (Mono), Other
- Subtitles: English SDH, Spanish, French
- Rating: Not Rated
- Run Time: 1 Hr. 30 Min.
- Package Includes: Blu-ray
- Case Type: keep case
- Disc Type: BD50 (dual layer)
- Region: A
- Release Date: 07/30/2013
- MSRP: $19.99
The Production Rating: 3/5Reno brothers Vance (Richard Egan), Brett (William Campbell), and Ray (James Drury) are part of a Confederate squad that captures a Union payroll of $12,000 a few days after Lee has surrendered to Grant to end the Civil War. Not knowing that the war was already over, the soldiers believe the money is theirs as spoils of war. Returning home with their windfall, Vance is crushed to learn that his longtime sweetheart Cathy (Debra Paget), hearing that Vance had died in the war, has married his younger brother Clint (Elvis Presley). Though their attraction is still very strong, Vance decides the honorable thing to do is to leave the homestead and try his luck in California, but a railroad insurance agent (Robert Middleton) comes looking for the stolen money and isn’t going to let the boys rest until the money is returned.
While the script by Robert Buckner has promise (the theft of the Union army money coming one day after the end of the war is a novel touch), it culminates in a mass of clichés that are eye-rollingly banal. But director Robert Webb directs the early sequence featuring the theft of the money quite dramatically and stages multiple action scenes throughout the movie with a more than decent amount of suspense and surprise. He also uses his wide Cinemascope canvas wonderfully spreading his characters across the expanse of the screen on several occasions and allowing the wide open spaces of this Texas farm to look quite impressive.
Elvis’ movie debut is clearly a supporting role, and his first attempts at acting are stilted and somewhat unsettling (he’s especially poor near the end when his jealousy builds to such fervor that one fears he may chew up the natural landscapes), but there’s no denying his charisma before the camera. Though his debut performance wasn’t originally meant to feature any singing, the producers wisely realized what their strongest draw was and thus Elvis performs four numbers in the movie: the title song which he does with suitable restraint (and reprises it at the end of the movie), and “Poor Boy,” “Let Me,” and “We’re Gonna Move” in which he anachronistically gyrates his hips and does his leg pops in his then-contemporary singing style (and shamefully, the director allows the county girls to screech and squeal at his every gyration). The undemanding screenplay gives Richard Egan a gregarious, big-hearted big brother character to play, and he’s by far the most appealing performer in the movie undoubtedly earning his top billing. Mildred Dunnock does well with her loving mother, but Debra Paget looking painfully glum for most of the movie barely registers as the love interest both brothers are mad about. Neville Brand gets to bellow his lungs out and twist Clint around his little finger playing up the jealousy angle.
Video Rating: 5/5 3D Rating: NA
The transfer is presented in the film’s original Cinemascope aspect ratio of 2.35:1 and is offered in 1080p using the AVC codec. A giant leap ahead of the released DVD version which had some dust specks and scratches, this transfer is pristine from beginning to end and features superb sharpness and a grayscale that’s magnificently rendered with strong black levels and pure whites. Contrast has been dialed in perfectly for a reference quality black and white transfer. The film has been divided into 24 chapters.
Audio Rating: 4/5The disc offers English soundtracks in both DTS-HD Master Audio 1.0 and 5.1. Both are strong, secure encodes with the only difference between them the slight spread of the music and sound effects into the front channels with the surround track. The 5.1 encode does nothing with the rear channels, and bass isn't notably more prominent in this version. Dialogue has been wonderfully recorded and is outstandingly presented with no age-related artifacts like hiss, crackles, pops, and flutter to mar the listening experience. Sound effects and music never overpower the dialogue.
Special Features: 3.5/5Audio Commentary: Elvis’ close friend documentary producer Jerry Schilling provides the commentary. Though useless as a research tool on the making of the film, Schilling speaks from the heart about Elvis’ life and his contribution to show business though there are many long silent gaps and several stories about the King are repeated.
Elvis Hits Hollywood (12:43, SD): a brief summary of Elvis’ deal to make a movie with interviews featuring friends of Elvis and historians of the period.
The Colonel and the King (11:03, SD): a too-brief but quite fascinating mini biography of Colonel Tom Parker who became Elvis’ manager and the primary forger of his career.
Love Me Tender: The Birth and Boom of the Elvis Hit (8:06, SD): gives the background story of the writing of the song (based on the old Civil War classic tune “Aura Lee”) and the other tunes Elvis made famous.
Love Me Tender: The Soundtrack (7:32, SD): a group of music historians analyze the four tunes used in the film.
Theatrical Trailers (SD): the original theatrical trailer (2:21) and the Spanish trailer (2:04) are presented.
- Walsh61 likes this