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DVD & Blu-ray Reviews
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A Brief History of Time Blu-ray ReviewBlu-ray Criterion
Mar 16 2014 04:32 PM | Neil Middlemiss in DVD & Blu-ray Reviews
- Studio: Criterion
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 1.85:1
- Audio: English 5.1 DTS-HDMA
- Subtitles: English SDH
- Rating: Not Rated
- Run Time: 1 Hr. 24 Min.
- Package Includes: Blu-ray, DVD
- Case Type:
- Disc Type: BD50 (dual layer)
- Region: A
- Release Date: 03/18/2014
- MSRP: $39.95
The Production Rating: 4.5/5
“…for then, we would know the mind of God.”
Errol Morris’ A Brief History of Time uses the title of theoretical physicist, cosmologist, and author Stephen Hawking’s bestselling book for his film about the pioneering scientist’s life and work. A documentary that rarely feels like a documentary, with Hawking’s incredible work sharing the screen with details about his life. But this isn’t an autobiography in the traditional sense. We hear from former colleagues, family members, and assistants who describe with fascination, reverence, humor, and fondness, the man whose theories of the universe have now gripped both the scientific community – and popular culture – for decades.
Stephen Hawking is a fascinating human being. By all accounts one of the smartest men alive (or to have loved), his theories on black holes, quantum physics and the origins of the universe are profound and tantalizing – even for the lay among us. His work to reconcile the accepted general theory of relativity – for which Einstein is perhaps best known – with the unpredictable nature of quantum mechanics (science on the nonoscopic scale) is laud worthy. There have been many great scientific minds in the years of Hawking’s career, and there have even been those that have achieved a high public profile and position to explain and explore great scientific theories to the public (the magnificent Neil DeGrasse Tyson, Brian Greene, Brian Cox, and Michio Kaku to name just a few). But none have influenced modern thinking and our understanding (or at least contemplation) of the universe quite as Hawking has.
Through a peculiar array of interview subjects – highly intelligent, in joy to share their slice of the story of Stephen’s life and discussion of his work – Morris constructs a marriage of Hawking growing up and falling ill to the incapacitating motor neuron disease (amyotrophic lateral sclerosis), that would eventually leave him unable to walk or talk, and of his contributions to the field of science with theories on the origin of the universe, the nature of Black Holes, the notorious ‘information paradox’. This choice to merge tales of the man as much as his work, could have divided the film, stealing an accomplishment of some serious examination of either his work or his life. In fairness, as the film begins to unwind from the opening, there is a distraction of interest between the story two paths as they run parallel. But this choice soon becomes clear as the right one for Morris to have made for his film. Hawking’s work is very much a part, and product, of his life and the events that have shaped that life. Without the debilitating disease (which continues to steal his ability to move and communicate as he once could), it is possible that his intelligence would not have found the right focus. It is possible that, had he not been required to think and conceptualize in images rather than mathematical problems on paper (which he could not tackle independently), he would not have uncovered the great theories and the ability to describe and address them.
Morris entwines his film with static portrait, and the occasional slow tracking shots of his interview subjects in fabricated sets at Elstree Studios in London. Even Hawking’s office at the Department of Applied Mathematics and Theoretical Physics was recreated on set, which gave director Morris and Director of Photography John Bailey, A.S.C greater control of lighting and the use of space. It never feels fabricated or forged, though is a curious choice to have made. As has been noted by others, it lends to the elevated reality feel. Composer Phillip Glass, with whom Morris worked before on his The Thin Blue Line (and since on The Fog of War), provides an masterful and minimal score, abounding with Glass’ hypnotic repetition simmering low enough not to interfere with the interview subjects but influential enough to set an almost dream-like feel upon the film.
A Brief History of Time succeeds in avoiding the brierpatch of the pitting science against theology. As with Hawking’s book, God is discussed but never discounted. There is respect afoot for all considerations and perspectives on the matter but what Hawking’s seeks is an answer to the most alluring, confounding, and defining questions that humanity can ask of itself and of the nature of the possibly infinite space out there. And surely that’s as unifying as anything in the world.
Video Rating: 4.5/5 3D Rating: NA
Criterion has released a wonderfully restored version of Errol Morris’ excellent treatment of Hawking’s material. Presented here in its original 1.85:1 aspect ratio, it features a new digital transfer, created in 4K resolution from the original 35mm camera negative, supervised by Director of Photography, John Baily A.S.C.
Criterion’s standard array of care and consideration have been applied. The image is superbly crisp, free of dust and debris. The lighting choices in the film illuminate the interview subjects in interesting ways, with superb contrast, and with excellent detail.
Director Morris, in one of the accompanying special features, describes his displeasure with the visual effects work originally produced for the film (and later replaced with hand drawn images that work very well). Several good visual effects shots remain in the film, however (courtesy of Rhythm and Hues), including a spinning men’s watch, that hold up nicely for a 23 year old, relatively low-budgeted film.
Audio Rating: 4/5A Brief History of Time’s 5.1 DTS-HD Master Audio was “mastered at 24-bit from the original 4-track magnetic tracks using Pro Tools HD.” As a result, the track is warm, clear, and without defects or drops. Besides Phillip Glass’ score, the audio is not asked to produce great dynamism, not unexpected for a documentary film like this, and so its charge is to simply produce the cleanest audio with the clear presentation of dialogue as delivered by the interview subjects and by the device that produces Hawking’s own distinct, machine assisted voice. In that regard, I find no complaints.
Special Features: 2/5New Interview with Errol Morris: Director Errol Morris is a curios personality. An energetic, lively fellow with a clear curiosity and the eye for how to expose that curiosity on film. In this brief interview, mixed with footage from his film, Morris recalls moments with Hawking and his personal fascination with the subject of his documentary.
New Interview with John Bailey: Bailey, the film’s talented Director of Photography, shares a more technical perspective in this short interview.
DVD Version of the Film
Accompanying Booklet: Featuring an essay by critic David Sterritt, a chapter from Stephen Hawking’s 2013 memoir, My Brief History, and an excerpt from Hawking’s 1988 book, A Brief History of Time. An excellent read and appropriate taste for the works of Hawking.