- View New Content
- Blu-ray, DVD, Streaming Video and Digital Downloads
- Home Theater Hardware
- Theaters, Remotes and Accessories
- Equipment Reviews
- DVD & Blu-ray Reviews
- Other Diversions
- Bargains and Deals
- Feedback and Testing
- Latest Blu-ray Deals
- Shop Amazon & Support HTF
- Theater Photos
DVD & Blu-ray Reviews
- Equipment Reviews
Blu-ray Release Listings
- Shop Amazon
- REMOVE ADS
DVD & Blu-ray Deals
Categories See All →
DVD & Blu-ray Reviews
The Expendables 3 Blu-ray Review
Today, 03:12 PM
There was a golden opportunity in Patrick Hughes’ The Expendables 3 where the filmmakers could have stayed true to what had worked before and then expanded t... Read More
Tammy (Extended Cut) Blu-ray Review
Today, 01:01 PM
Melissa McCarthy's skyrocketing popularity thanks to standout performances in box office hits Bridesmaids, The Heat, and Identity Thief landed her enough clo... Read More
22 Jump Street Blu-ray Review
Yesterday, 08:01 PM
22 Jump Street, the sequel to the highly successful and very funny 21 Jump Street, comes to Blu-ray in a typically excellent transfer from Sony. It also... Read More
Birdman of Alcatraz Blu-ray Review
Yesterday, 02:41 PM
Director John Frankenheimer had a memorable 1962: during the year he helmed three highly engaging and very different film dramas: All Fall Down, The Manchuri... Read More
12 Years a Slave Blu-ray ReviewBlu-ray Fox
Mar 05 2014 02:52 PM | Matt Hough in DVD & Blu-ray Reviews
- Studio: Fox
- Distributed By: N/A
- Video Resolution: 1080P/AVC
- Aspect Ratio: 2.40:1
- Audio: English 5.1 DTS-HDMA, Spanish 5.1 DD, French 5.1 DD
- Subtitles: English SDH, Spanish
- Rating: R
- Run Time: 2 Hr. 14 Min.
- Package Includes: Blu-ray, UltraViolet
- Case Type: keep case in a slipcover
- Disc Type: BD50 (dual layer)
- Region: A
- Release Date: 03/04/2014
- MSRP: $39.99
The Production Rating: 4.5/5Solomon Northup (Chiwetel Ejiofor) is a successful violinist living a comfortable and loving existence with his wife and two young children in Saratoga, New York. In 1841, he’s hoodwinked by two white men trafficking in bringing free blacks into the south and selling them as slaves and is kidnapped and sold in Louisiana. Though his first master (Benedict Cumberbatch) treats him with respect and kindness, a jealous, vengeful overseer (Paul Dano) makes his position at the Ford plantation untenable, and he’s eventually sold to the drunken, brutal Edwin Epps (Michael Fassbender) who horsewhips any slave who can’t pick two hundred pounds of cotton a day. Solomon had learned early in his captivity to pretend ignorance and illiteracy, but he knows his only hope for salvation will come if he can somehow get word to his loved ones up North just where he is and under what circumstances he came to be there.
On the evidence of his previous movies Hunger and Shame, director Steve McQueen is not one to turn away from misery or soft pedal ill-treatment thus guaranteeing that the picture of slavery in the Old South that we see in this film runs the gamut from kindness to butchery, from stately mansions to filthy hovels and everything in between. The film is riddled with McQueen’s long, moodily effective takes; two in particular stand out: Solomon’s near-hanging where his dangling body on tiptoes is just millimeters away from death while life goes on around him for agonizingly long minutes of screen time and the whipping to near-death of the favored slave Patsey (Lupita Nyong’o) first by Solomon (as ordered) followed by even more frenzied lashes by Epps. John Ridley’s screenplay based on Solomon Northup’s true account of his twelve years in captivity does some unnecessarily quirky time shifting early on, and one must become accustomed to the stilted, proper speech patterns the characters engage in which, even in the mouths of the more ignorant of the characters, seem a little odd. The film’s biggest flaw, however, is that the passage of time isn’t especially well handled. We know from the movie’s title that over a decade of bondage passes, but the main characters don’t seem appreciably different from beginning to end apart from a beard or some gray strands of hair. Naturally, Solomon’s children grown into adults the next time he sees them makes it clear that time has in fact not stood still. But these are things one thinks about only after the fact. During the film's running, one's attention is completely captivated by the story's through-line and the amazing cast of characters who interact with the protagonist.
The performances are simply stunning throughout. As Solomon, Chiwetel Ejiofor is seldom off the screen, and his strength of character shines through at all times, even when the character is at his lowest ebb. The actor’s intelligence and nobility likewise is hard to disguise and is thus keenly appreciated or despised by the character's various masters over the years. Lupita Nyong’o’s Oscar for best supporting actress was no fluke: her face and body language tell many stories even before she utters her first words, and her two big scenes where she fully emotes her wishes (to Solomon) and her due (to Epps) certainly helped cinch the award for her. Always mesmerizing under McQueen’s direction in their previous two projects together, Michael Fassbender gives the film’s most explosive performance as the brutish Edwin Epps, justifying his harsh treatment of his slaves by quoting scripture and yet at times showing a slight streak of decency buried beneath an outward shell of cruelty, matched by his jealous, viciously malicious wife (who can also show occasional glimmers of gentility) played by Sarah Paulson. Benedict Cumberbatch and Bryan Batt make the most of their moments playing two kindly masters while also seen in brief, effective scenes are Paul Giamatti as a calculating slave trader, Garret Dillahunt as a traitorous worker, Alfre Woodard as a slave who’s risen to a privileged position, Paul Dano as the blustery carpenter who shows his true cowardice when he’s without his whip and gun, and Brad Pitt who plays a crucial role in events which transpire near the film’s end.
Video Rating: 4.5/5 3D Rating: NA
The film’s theatrical 2.40:1 aspect ratio is faithfully delivered in a 1080p transfer using the AVC codec. Sharpness is very good to excellent throughout with details easily glimpsed in facial features, hair, and, occasionally, the gruesome scars as reminders of the slaves’ harsh treatment. The film has a slight brownish look, possibly suggesting a long ago era, but color is well maintained and flesh tones are true. Black levels aren’t always at their inkiest, but they’re certainly deep enough to be evocative. The film has been divided into 36 chapters.
Audio Rating: 4.5/5The DTS-HD Master Audio 5.1 sound mix offers a full, rich aural experience. Hans Zimmer’s music gets terrific spread through the soundstage, and atmospheric sounds have been placed wonderfully in all available channels to widen the experience and envelop the listener (the lingering sounds of those cicadas during wordless scenes simply bring the Old South into your home theater). Dialogue has been nicely recorded and has been placed in the center channel. Outstanding use of the LFE channel gives the bass in the mix quite a bit of added punch.
Special Features: 3.5/512 Years a Slave: A Historical Portrait (41:21, HD): a two-part making of featurette with director Steve McQueen, producers Dede Gardner, Jeremy Kleiner, Bill Pohlad, Arnon Milchan, writer John Ridley, film editor Joe Walker, director of photography Sean Bobbitt, and stars Chiwetel Ejiofor (who reads passages from Solomon’s book), Michael Fassbender, Benedict Cumberbatch, and Alfre Woodard commenting on the importance of the work and their joy of working with director-producer Steve McQueen.
The Team (7:43, HD): takes a particular focus on the costumes, the production design, and the make-up.
The Score (3:55, HD): composer Hans Zimmer talks about his inspirations for the music he wrote for the movie.
Theatrical Trailer (2:23, HD)
Promo Trailers (HD): The Grand Budapest Hotel, The Book Thief, The Counselor, Mandela: Long Walk to Freedom.
Ultraviolet: code sheet contained in the case.